What Kind Of Camera Does Tom Mangelsen Use

About a mile past the "entering Grand Teton National Park" sign in Wyoming, there's a private gravel route that heads toward the Teton mount ranges. The road leads to a wooden cabin settled alongside a stream where seventy-twelvemonth-former Tom Mangelsen, one of the virtually iconic wildlife photographers, lives. Mangelsen'south firm is filled with a bookshelf that takes upwardly an entire wall and a wolf-sized yellow Labrador retriever named Wilson. The shelf is filled with book titles similar the Odyssey and another about Claude Monet and other achieved artists.

And so simply what does information technology take to become a world-renowned wildlife lensman? Well, it doesn't hurt to have won the globe goose-calling title twice. A Nebraska native, Mangelsen grew up in Thousand Island learning how to hunt diverse fowl with his dad. His years spent hunting helped him larn the patience it takes to capture an iconic moment in the wild, even if it takes 42 days to do it.

"I quit hunting and bought a camera; I've been hunting with a camera always since," says Mangelsen.

In 1999, Mangelsen spent 42 days on the hunt with his camera later finding out about a den of mount lions in Jackson Hole. He needed to get a shot of the female parent, but she didn't leave the den until day 42. That was the shot he needed for the cover of his book written past Cara Blessley Lowe, Spirit of the Rockies, published in 2000. He published the first photographic documentary of wild, free mountain lions.

"Forty-two days and all I wanted was one shot," says Mangelsen.

He captured possibly his nigh iconic photo, "Catch of the Day", in 1988 later spending seven days camping in a Kmart-produced tent in Alaska. With a cable release in manus, he stared at the h2o and hit the cable release button every fourth dimension a fish jumped out of the water near a deport. He didn't know it at the fourth dimension, just his dedication had paid off. Nigh a calendar month later, he developed the film, and learned he had captured an incredible moment. The image produced was a head and shoulder shot of an Alaskan dark-brown bear with its mouth wide open up every bit a sockeye salmon jumped out of the water at Brooks Falls and into its mouth. The picture was caught moments before the comport snapped down on the salmon, leaving well-nigh an inch between the fish and the bear's jaw. He said the keys to his success were patience, pre-visualization and a lilliputian fleck of luck.

"I've been lucky; I've been conscientious; I've been fortunate," says Mangelsen on his time spent in close proximity with wild animals. During the x years he spent photographing polar bears, he had one follow his tracks while he was searching for goose nests. He's had some shut calls, only he always takes the necessary precautions to protect both himself and the animals.

"I always try to err on the side of being cautious," says Mangelsen. When referring to the images in his latest book, Grizzlies of Pilgrim Creek, which was published in August of 2015, he said he would remain in his car, simply off the road, or he'd exist across the river where both he and the bear were in a rubber identify. He never risked his own life or the bear's life.

The work he'southward done with Grizzly 399, a grizzly who was tagged by biologists with the number "399," has turned her into quite the celebrity. She has her ain Facebook folio. Through his photography, Mangelsen has helped bring awareness to grizzly bears in the Greater Yellowstone Ecosystem and the Grand Teton and Yellowstone national parks, places she explores during the year.

"That'south my goal; to bring more sensation," says Mangelsen.

The power of photography inspired Mangelsen to utilise his art to impact the world. He's used his photos to make statements. The powerful work of before photographers similar Henry Jackson and Edward Curtis motivated Mangelsen to use his photographs to make a change.

His impact on conservation issues has led to him receiving countless awards over the years. Nature's Best Photography named him the 2011 Conservation Lensman of the Year and his work is permanently placed in the Smithsonian's National Museum of Natural History. He was also named 1 of the 40 "Well-nigh Influential Nature Photographers" by Outdoor Photography."

His accomplished piece of work has taken him around the world. The Serengeti in Tanzania is one of his favorite places to photograph. With its plethora of animals and vast plains, it has made for some enchanting shots. Though he's visited many places effectually the world, he'd however like to photograph tigers in India, pandas in Prc and many more wild animals of the earth.

"My saucepan list's too long," says Mangelsen.

To those looking to follow in Magelsen's footsteps, he offers some simple advice,

"Surround yourself with people that inspire you lot and and then get for it," he says.

Acquire more at www.mangelsen.com